Hand Pleating

Part of our first collection in 2019, our hand pleated plissé is now Azur’s signature. It was born from our meeting with two sisters, Véronique Arbué and Claire Raphaël, craftwomen, embroiderers, pleaters, and much more. The workshop was founded in Marseille (South of France) by Joséphine Pulvérail in 1900, where their mother Hortensia Arbué worked from 1957 to 1998, the year Véronique and Claire took over the family business, perpetuating a savoir-faire handed down from mother to daughter for generations.

The plissé is made entirely by hand, without molds or machines, and without the use of chemicals. The garment is placed on a table and sprayed with water. The pleats are folded one by one with the fingers until the piece becomes a closed fan. It is then rolled into a ball, wrapped into a piece of cloth and placed in a steam oven at 120 degrees for one hour. After the steaming, the garment is gently removed from its cloth wrapping and left to dry for a day or two. This artisanal process takes from 2 to 4 days to complete.

The result is a vibrant, irregular plissé, like sheets in the morning and wrinkles on the skin. It reflects light and enhances the silhouette. The body gives life to the garment, shaping it into unique living sculptures.

The earliest form of pleated dates from ancient Egypt and can be seen in a linen garment known as the Tarkhan dress, which is over 5000 years old and is believed to be one of the oldest dresses in existence. Differences in class and status in ancient Egypt were demonstrated by the fineness of the cloth, with many garments laid out in the sun and bleached white, before being enhanced with pleating.

Natural Dyeing

Our last collection is a colorimetric exploration of the dye plant Madder. With a single plant, we have conducted research on dyeing and developed a palette of rich and varied reddish shades. These pieces are a showcase of the color possibilities offered by a plant, which the dyer, like the painter, expresses and sublimates through their work. The dyeing is hand-made in Marseille (South of France) by Azur’s founders Lisa and Lisa.

The fundamentals of the dyeing process have not evolved much over time. Two to three steps are required to obtain the desired color. First, the fabric has to be prepared and requires the use of mordants to bind the dye to the textile fibres. This first bath prepares the fiber to obtain bright, lightfast and long-lasting colors for the second step : the dye bath. The next day the dye material is put in a water vat and heated to extract the dye compounds into solution with the water. Then the fabric is added to the bath and stirred during one hour to obtain a even result. Modifer or color shifting is the name given to a third optional bath that sadden bright shades and turns color into muted and darker tones.

Archaeologists have found evidence of textile dyeing dating back to the Neolithic period. In China, dyeing with plants, barks and insects has been traced back more than 5,000 years. Throughout history, people have dyed their textiles using common, locally available materials. The discovery of man-made synthetic dyes in the mid-19th century triggered a long decline in the large-scale market for natural dyes.